Monday, December 14, 2020

CONSTRUCTION: FILMING NEWS

 In order to present realism in our film, we decided to incorporate a news report into the beginnings of our trailer, utilising the green screen that we had available to us. The green screen allowed us to be able to remove the background behind the target actor, which would in turn let us drop a background of a news room to make it look like they were in a news room.

In order to achieve the highest quality green screen footage we could, we had lights pointing towards the green screen to help us to isolate the shadows that were cast initially on the back ground. The green screen was very successful, and the subject was very cleanly cut using the Ultra Key in Adobe Premiere Pro. During the shooting of the green screen, we also utilised a studio microphone in order for us to capture the highest quality sound for each of the clips we filmed. We then had to sync the audio for each clap, which was much easier as we clapped before the filming of each scene. This gave us a marker in the post-production suite which meant we could match the audio wave forms of each of the clips in order to make sure that the sound file was in time with the video files.








Monday, December 7, 2020

PLANNING: SOCIAL ISSUES

 Using Pinterest, I devised a range of boards to visually represent my brainstorming and thought processes into choices made in the film. This includes the characters and their costuming and the codes and conventions of horror/thriller films and how we will both conform to them and break them. The creature fits out codes and conventions as we attempted to make it appear shrouded and ghostly, with paranormal things happening when the creature is present in the trailer. Our soldier characters conform to the stereotypes of the genre as we costumed them to wear tan clothing and very military-resembling costumes in order to portray the realism of the scene. 

In terms of locations, we generally chose derelict and poorly kept buildings to do our filming in. These abandoned style of building we thought that it would add to the unsettling feeling to the film and make the suspense and the fear of the film exponentially better. The derelict buildings also allowed us to experiment with new camera shots to help portray the idea that the operatives are being watched by something. 

Our film covers social issues as well as stereotypes. One of the main issues we cover in our trailer is the issue of military veterans struggling to reintegrate into society after a traumatic war experience. As they are perpetually exposed to war and bloodshed, it easily becomes normalised to them and a normal day can be a very unnerving experience for veterans. There are also those veterans who feel alienated, and outcast by their own family and dread the thought of coming home from the battle. We will tackle this topic by showing our veteran has a loving family at home, and the experiences he once had with them, but also how his views have changed and he no longer feels the same way he did. On top of this idea, the other veteran will have the social issue of the fear of the unknown, as technology in society has built up a culture where everyone needs to know everything that's happening in the world.


Friday, November 27, 2020

CONSTRUCTION: STORYTELLING


In order to further broaden my knowledge on the art of storytelling and how film makers marry a story with film technique; I have studied the book Cinematic Story telling by Jennifer Van Sijll. The book gives me information on the 100 most powerful film conventions that every filmmaker should know. 

She gives a list of techniques that filmmakers use in order to give meaning to their films, for example 'Smash cuts'. She gives detailed examples and the effect each of these film elements give to a film and how to use them effectively.


Smash Cuts:

Smash Cuts are very effective at jarring the audience and disorienting them and surprising them with new information or character on-screen. This could be utilized very effectively in order to jump-scare an audience

Tuesday, November 10, 2020

CONSTRUCTION: VFX

 After researching horror/thriller films codes and conventions, we found that horror films usually incorporate some form of special effects into their films. We decided to give VFX a try in our trailer. In doing this we took inspiration from "Overlord" and we wanted to show paranormal activity from our monster. I took charge in creating this effect for our trailer. Below is the first rendition of the effect which I built upon to create the final product. 




I used Adobe After Effects to create this effect of the monster (Amy) floating in the air above a mansion. I wanted the monster to "appear" in frame pretty quickly as we planned on having this scene appear for only a few seconds. I used tools within After Effects like 3D Camera Tracker, Puppet Pin tool, and lumetri colour to colour match the silhouette to the footage. 
The 3D Camera Tracker allowed the software to place points within the footage for me to use in order to keep pictures held in a static position. It also allowed me to keep a perspective of the picture so that it can look as naturally placed there as possible. 


Tuesday, November 3, 2020

PLANNING: INITIAL DEVELOPMENT

 





Our initial Mind Map was used in order for us to brain storm ideas for our trailer package. Our idea for our package was to make a trailer that conformed to the horror/thriller. We used niche films like Dollhouse the teaser trailer to Overlord and the "A Quiet Place" film series to get ideas as to how they generate suspense and a thrill element to their films. This was crucial to the development to our film as it meant that we were able to learn key aspects of these kinds of films and integrate these into our film to make it a much better end product. 

Upon further research into horror films and their codes and conventions, we decided to steer away from the grotesque and crude violence that has become stereotypical of horror films as of late. We felt that the gore would stray the audiences attention away from the suspense and terror that we will try to create in our film. We also decided that a psychological horror aspect would be much more effective for the type of film we want, focusing on building suspense and the 'unknown' element of the being.

Furthermore, I suggested that an semi-fast pace to the film could work to keep building the suspense, but also allow the audience to move scene from scene and stay on the edge of their seats. This is mainly because of the thriller aspect to our trailer, gives us more routes to explore pacing and generating intensity scene from scene. We also agreed that the idea of a supernatural being with the intention to kill was a good idea, and we have to make sure that the deaths (if they do incur) are not violent, but rather blood-curdling.


We want the origins of our creature to appear fairly extraterrestrial. We decided on having a relic that linked the human world to the world of the being, and the experimentation that the scientists perform on the relic awaken the beast and release it into our world. This allows us to play on the idea that the beast can be anywhere it likes at any point it likes.





Monday, November 2, 2020

PLANNING: TREATMENT

 To learn about the art of storytelling and the importance of a strong story line and "Top Line", I studied The Creative Consultant at the BBC academy, Frank Ash. Frank explains how to connect with an audience through a relevant story in order to create suspense and tension, which is crucial to the horror genre which I am attempting to complete. Frank devised this into a series of questions  which you have to answer in your final production. These questions were: The Top Line and the Big Question

Frank later went on to say that when making a production you must work out what you as an audience member would like to get out of the production and the story on which it is building on. He also talks about how as a member of the production team, you need to put yourself in the shoes of other audience members in order to discuss what universal themes or ideas that you want to convey which connect all humans together. This will help to create a production that will invigorate your audience and retain their attention enough so that they want to watch the film in its entirety.  

Top LineA creature of unknown origin pulled from the depths of the past. Man thought that they could control it, they were wrong. The location of its whereabouts is deemed too dangerous for the outside world to know, therefore a specially created organisation sends in two elite operatives to neutralize the being. Do they stand a chance against something beyond human comprehension? 

Big Question: Will they survive and defeat the unknown being?

Monday, October 12, 2020

PLANNING: LOCATIONS

My Media Production is supposed to be of a horror/mystery genre, and for this to be effective I need to have locations which will have connotations with this kind of dark and grungy theme. The recurring common theme for these locations is that they are derelict / run down. This is mainly because it adds to the darkened and haunted feeling that is so crucial in horror films to build suspense and develop the idea that there is something lurking in the shadows. The locations have darkened, and destroyed areas to them, which we can utilise to give the effect that there is an unknown creature following the characters as the trailer progresses. There is also a height aspect we can utilise to show that the characters are in danger. 

The derelict factor to these location, also allows us to express our creativity with camera angles, using debris found on site to make it seem as though there was someone watching the characters. 

Locations: 





Location Planning by IGNITE FILMS

Thursday, September 3, 2020

Trailer Analysis: Cloverfield (2008)

 Cloverfield - Home | Facebook

Cloverfield is an American monster film and the trailer depicts a party being interrupted by an unknown threat. This trailer precisely shows the terror and confusion generated by an unknown explosion taking place and gives the event enough mystery to entice and audience to come back and watch the whole film. The trailer is unique in its style, as it is shot entirely handheld from what seems to be a video recorder or mobile phone. This style is known as cinéma vérité and its effect is use the camera to imply that truth is being revealed, by suggesting that the camera is observing real events in a ‘fly on the wall’ method, almost a documentary. This lends a historical feel of authenticity to the events shown as if they are being recorded. This is reinforced by the ‘testimonials’ apparently recorded on the camcorder. The director, J. J. Abrams is no stranger to these Sci-Fi genre films, having previously directed films like Star Wars, Star Trek and Armageddon. 

The genre of the film is almost instantly defined through the clever manipulation of the idents. Both Bad Robot and Paramount Pictures have iconic idents, so by changing them to appear more glitchy and distorted, already puts emphasis on the type of film its going to be. The glitch has connotations with Sci-Fi / apocalyptic film. This tells the audience that something bad has happened and not everything is how it should be, this will in turn cause the audience to be put on edge as confusion sets in. This is a constant theme throughout the length of the trailer as glitch-like, distorted sounds play in the background. To further add to the sense of confusion and the apocalyptic nature of this film, there is an inter-title which reads "formerly known as central park" this reinforces the idea that a catastrophe has taken place and the famous landmark of New York has had something happen to it. This inter-title also helps give context as to the location of the film. 

This trailer is full of action, which can be shown through the constant hard cuts to new locations and explosions taking place. This is stereotypical of 'Big Six' films as the budgets for the films tend to be much larger and so more money can be spent on CGI. The constant hard cuts give the trailer a fast pace, so the audience is never truly at rest with what they are seeing on their screen. The explosions are also cut short, so the audience can never see the aftermath of the events that take place, this will further entice an audience to want to watch the film and find out what happens and what has happened, as the cause of the explosion and disaster never is disclosed. The action aspect of the trailer can also be reflected in the colour grading of each frame, tending towards cooler blue tones. This is stereotypical of actions films and is a key identifier.  Some of the action that takes place isn't direct which is also very effective. There is a scene where someone is held back by Hazmats behind a screen and all the camera can see is their shadow, which shows the detained person attacking them with alien-like features. This will further make the audience question what is attacking the city and the trailer hasn't given away what is causing the disaster.

Sound is also very important in this films trailer, as many of the video transitions and the action that happens on screen is synced with the building suspenseful music. This is important to help pace the trailer and to build anticipation to the crescendo of the trailer. The diegetic sound of screams, explosions and the roar of someone or something is also heard throughout the length of the trailer. The owner of this roar is never revealed, so this will also add to the mystery pull factor for audiences wanting to find out what made that sound. It also helps to add a threat factor to the film and make it seem as though the lives of the characters are at stake

Dialogue also plays into the immersion of the film, it doesn't give any context to the film unlike other trailers, which plays in its favour. A key line would be "If you are watching this, you know more about it than me", this will work as a pull factor to make the audience want to find out what is happening in the film and what has happened. A close-up shot is also used effectively as it helps to exaggerate the facial expressions of the distressed man. All of the dialogue used in the trailer helps to build up the trailer to fit in with the cinéma vérité style.

There is also a lack of inter-titles during the middle of the trailer, this is also effective as it doesn't break up the action of the trailer and keeps the audience immersed in the trailer. This is an aspect I would like to utilise in my own trailer as it keeps the flow of action constant.

This trailer appeals to me as it has an unknown threat. This mix of Sci-Fi mystery and action really appeals to me and is the type of trailer I would like to do. I would also like to reflect the realism and immersion aspect of this trailer as i think it manages to show it very effectively.